Features

1971

By James Hancock CHECK OUT OUR EPISODE ABOUT 1971 One of my least favorite clichés… View Post

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ONE SHOT, ONE STORY: ECONOMY IN BENNETT MILLER’S FOXCATCHER

By Mikhail Karadimov Good rule of thumb: treat your shots like three-act stories. I first… View Post

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OZU EYES: HOW JONATHAN DEMME UNBALANCES US WITH EYELINE IN THE MANCHURIAN CANDIDATE

By Mikhail Karadimov It doesn’t matter whether or not you think it was worth remaking… View Post

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“Wild Tales” aka “Relatos Salvajes” – Review

By James Hancock  February 22nd, 2015 I just stumbled out of “Wild Tales”, a film by… View Post

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LEAN AND MEAN: JOHN CARPENTER AT A 100-MINUTES OR LESS

By Mikhail Karadimov It doesn’t matter what you think about Carpenter as a man, a… View Post

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2014 – A Year That Will Put a Smile on My Face Until My Dying Day

By James Hancock  February 22nd, 2015 As I get ready to record our best of 2014… View Post

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‘Leviathan’ – Review

Upon walking out of the Film Forum, Mikhail Karadimov gives his fresh, immediate reactions to… View Post

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‘A Most Violent Year’ – Review

By James Hancock On New Year’s Eve, we could’t resist the chance to check out… View Post

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WHEN ADAM MET PAUL: THE MAKING OF A PUNCH-DRUNK SANDLER

By Mikhail Karadimov PTA Inquiry No. 2: Why oh why oh why, Paulie? Why in… View Post

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INHERENT VICE: A DAMN SHAME

By Mikhail Karadimov Writer-director Paul Thomas Anderson makes me think many things. Some of those… View Post

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