Features Archives

THE CHEEKY, CRIMINAL GRIMNESS OF THE GRAND BUDAPEST HOTEL

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By Mikhail Karadimov The Grand Budapest Hotel dir. by Wes Anderson Wes Anderson’s last couple… View Post

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THE NEW NEIGHBORHOOD PASS TIME: SCAPEGOATING

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By Mikhail Karadimov The Hunt dir. by Thomas Vinterberg Trained in our scopes—beaded down on the… View Post

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HOCUS-POCUS OF THE OLD VARIETY

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By Mikhail Karadimov The Conjuring dir. by James Wan The Warrens have got some spooky jobs:… View Post

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THE WAIFISH WAYS OF THE TWENTY-SOMETHING-YEAR-OLD

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By Mikhail Karadimov Frances Ha dir. by Noah Baumbach Frances is lost, confused, and full-on adrift.… View Post

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STUCK IN THE MUCK AND MIRE OF ADVENTURE

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By Mikhail Karadimov Mud dir. by Jeff Nichols No boy can escape the charismatic allure of… View Post

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A KILLER’S CROCODILE TEARS

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By Mikhail Karadimov The Act of Killing dir. by Joshua Oppenheimer Like the subjects of Joshua… View Post

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OH NO, NOT HER AGAIN!

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By Mikhail Karadimov March 26th, 2014 Shortly after reading my review on Her, a friend of… View Post

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A HOOTENANNY OF EXCESS: THE WOLF HOWLS FOR MORE, MORE, MORE!

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By Mikhail Karadimov March 24th, 2014 The Wolf of Wall Street dir. by Martin Scorsese The Wolf… View Post

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THE HODGEPODGE GREATNESS OF ‘A FIELD IN ENGLAND’

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By Mikhail Karadimov March 23rd, 2014 A Field in England dir. by Ben Wheatley A Field… View Post

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I THINK MY SMARTPHONE, LIKE, “LIKES ME” LIKES ME, YOU KNOW?

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By Mikhail Karadimov Her dir. by Spike Jonze In the last ten/fifteen years, technology has evolved… View Post

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